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Milo Motion Control System |
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Developed by Mark Roberts Motion Control, Milo is for those who require the quality that studio |
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systems can offer in a portable system. Milo is the worlds best portable system because of its |
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rigidity and being fast enough for live action shooting. It can be ready to shoot within 35 minutes of |
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arrival on the set. It has a huge range of options including different length arms and different types |
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of track rail. |
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The Producer 4 |
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Lasergraphics has incorporated 25 years of film recording expertise into a complete system that |
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includes an intuitive graphical user interface, an integrated color management system, and the |
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world's fastest, highest quality film recorder. All this for less than half of what our competitors |
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charge for their film recorders alone. You can record professional quality film on the first day you |
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receive your system. |
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The Director |
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Until now, scans of feature films required hundreds of hours and enormous cost to complete. |
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The Director generates pin-registered scans of your 35mm and 16mm film at unprecedented |
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speeds and an unrivaled low price. The Director is perfect for DI, effects, archival, restoration, |
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HD broadcast, and HD dailies. You can maximize your productivity by bringing all of your |
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scanning in-house. Coupled with Lasergraphics' proven and highly regarded Producer line of |
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film recording systems, The Director continues our company's vision to make motion picture |
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film scanning and recording fast, easy, flawless, and affordable. |
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BrightDrive |
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BrightDrive is a highly powerful media recording system that enables real-time digital media |
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to be accessed and shared by multiple teams of film and video professionals operating within |
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a data-centric environment. |
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diTTo Scanning System |
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It is in recognition of the diverse needs of the ever changing post production market, that the product |
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range has been extended to ensure these needs continue to be met with diTTo the new, simple, |
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yet powerful film scanner. |
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dataMill Scanning System |
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dataMill is a versatile film scanner, designed to meet the commercial requirements of post production |
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as it moves towards a data or digital intermediate environment. It is the most viable,cost effective,digital |
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intermediate scanning solution available today, providing high resolution, true 2Kimages at speeds of |
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up to 15 frames per second,and true 4K images at speeds of up to 3.75 frames per second. |
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2K Plus System |
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Color enhancement today is more than just scene matching or shot-to-shot color grading.Everyday, |
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colorists are called upon to create their own stylistic "look" or to dynamically enhance a director or |
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cinematographer’s creative vision. In this way, filmmakers all over the world depend on colorists to |
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ultimately capture the essence of that vision and bring it to its final form. |
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Resolve System |
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Over the last 20 years, da Vinci has refined color correction earning recognition as the industry standard, |
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and now, da Vinci presents the latest in color and image enhancement. |
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Resolve - combining da Vinci’s world renowned Emmy award-winning image enhancement expertise |
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with non-linear conforming tools to improve workflow efficiency in the Digital Intermediate |
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Revival System |
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Until now, restoring aging motion picture film was a time-intensive, cost prohibitive process. And |
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because of the expense, only films with wide audience appeal - and hence only those guaranteeing |
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a high return on investment - were being restored to their original pristine condition. da Vinci |
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addresses these requirements with a set of sophisticated |
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Toolbox2 System |
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Toolbox2 is a unique collection of real-time image processing tools that greatly enhance the power |
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of the da Vinci 2K Plus image enhancement product family. Adding the Toolbox2 to an existing 2K Plus |
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creates fast access to a set of tools all of which are optimized to provide the colorist a quick route to |
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greater productivity and truly |
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Splice System |
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We have come a long way from the early days of color correction, with the current trends leading toward |
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Digital Intermediate(DI). So how will you cross the bridge to DI, gaining the benefits of non-linear |
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operation using existing infrastructure while maintaining compatability with existing workflows? For this |
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transition da Vinci created Splice - a "virtual telecine" which allows a linear color corrector to operate |
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as a non-linear device. |
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