• Uses highest quality cine CRT available.
• Proprietary ultra-high resolution optical system.
• Outstanding center-to-corner uniformity due to dynamic controls.

High Speed Imaging

• 0.7 seconds per frame on 5201 camera negative
• 1.3 seconds per frame on 2242/5242

• Meticulously calibrated, aligned and tested at factory.
• Self-calibrates for perfect exposure levels for life.
• Lasergraphics' FullCircle^™ tool automates film table adjustments to compensate for variations in film stock and chemistry.

• Monitor status from any web browser in the world.
• Receive email notifications of your recorder's progress.

• Host computer pre-configured and ready to use with Windows XP and Lasergraphics CineProducer ™ software.
• Intuitive, customer-defined graphical user interface.
• Standard film tables included.
• Status and image being recorded is displayed on film recorder LCD panel.

QuickTime Direct to Film

• Records uncompressed QuickTime movie files directly to film.
• Resolution independent, accepting SD, HD, 2K, and 4K.
• Eliminates need to convert QuickTime frames to individual image files.
• Saves up to 100 hours of rendering time per feature film.

PrintView ™ Print Film Previewer - Color Management System

• Preview full screen image as it will be projected in the theater.
• View histogram.
• View image size, position, frame, sound track, and film perforations.
• Crop image sequence to any aspect ratio.

Flexibility

• Unlimited user-defined image position, size, and resolution from SD to 4K.
• Low-resolution images (e.g. video) automatically up-sampled to HD in real-time to while recording to eliminate video raster lines.  No pre-scaling required.
• On-the-fly color correction performed while exposing.
• On-the-fly exposure of 1st generation archival digital color separations.

Warranty

• Full one year parts and labor.
• Full extended warranty option available in month 13 after purchase.
• "100% Up Time" option (ask for details)

Supported Film Stocks

• Kodak 2242/5242 Vision Color Intermediate
• Fuji 8502/4502 Color Intermediate
• Kodak 5201 Vision2 50D Color Negative
• Kodak 5212 Vision2 100T Color Negative
• Kodak 5218 Vision2 500T Color Negative
• Fuji 64D High Resolution Color Negative
• Eastman 5234 Fine Grain Duplicating Panchromatic Negative Film
• Eastman 5231 PLUS-X Black & White Negative
• Kodak Panchromatic Separation Film 2238
• Kodak 2383 Vision Print Stock

Film Magazine Capacity

• 2,000 feet
• 3,000 feet (optional)

Image Processing Controls (applied on-the-fly while exposing)

• Primary color correction.
• Black level, white level, and gamma.
• Color saturation.
• Sharpening.
• 1st generation archival digital color separations (3-reel or successive).

Weight & Dimensions

• 263 lbs. (119 kg)
  Including camera and 2000' film magazine; excluding film and host computer.
• 68" H x 32" W x 22" D (173cm x 81cm x 56cm)
  Including camera and 1000' film magazine

File Formats

• Cineon / DPX / TIFF / TARGA / SGI / QuickTime.

Color Resolution

• 42 Bits (14 bits per color channel).

Host Computer

• High performance dual-processor computer.
• Pre-configured with Windows XP and Lasergraphics CineProducer ™ software (includes integrated color management system with PrintView ™).
• High quality monitor.
• Gigabit Ethernet port.
• IEEE-1394 and USB 2.0 ports.

Operating Environment

• 15ºC to 30ºC.
• 15% to 85% relative humidity non condensing
• 90-250V ~50/60Hz 2A

Image Positon and Size Controls

• Any user defined image size up to .980"x .735" (24.89mm x 16.67mm).
• Any user defined image position (e.g. Academy offset).
• Any user defined anamorphic pixel aspect ratio (e.g. Cinemascope).
• Any user defined image aspect ratio (e.g. 4x3 or 16x9 video to film transfers).
• Any resolution up to 4K.  Automatically sizes pixels appropriately.
• Image sequences can be cropped for any screen aspect ratio.